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PhD Thesis in music acoustics
Acoustical, Physiological and Perceptual Aspects of Reed Wind Instrument
Playing and Vocal-Ventricular Fold Phonation
by
©1998
An ancestral and recurrent dream of humankind is that of flying.
In my ordinary flying dreams,
whenever I inhale, I start levitating in the space;
when I exhale, I immediately return to the firm ground.
Playing a wind instrument may follow the same simple, supernatural rule:
in blowing, one donates life and sound to other beings, and gains the Earth;
in inspiring, one must incorporate spirits and angels.
Contents:
Thesis front cover
Abstract
1.Included
papers
2.List of abbreviations
and conventions
3.Introduction
4.Previous
work
5.Instruments
analysed
6.Playing a
reed woodwind
7.Basic ideas
and methods
8.Summaries
and comments on individual papers
9.Music continues;
a list of possible future investigations
10.Conclusions
Acknowledgements
Bibliography
Thesis back cover (spectrogram
of "oh, Susanah" during overtone singing in VVM phonation- see Paper VI)
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©1998 by Leonardo Fuks
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PhD Thesis in music acoustics
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